The Stuffed Owl Reggie Chamberlain-King
April 17, 2011

Bohemian Footnotes #3 – The Boho Dance

Down in the cellar in the Boho zone I went looking for some sweet inspiration, oh well Just another hard-time band With Negro affectations1. I was a hopeful in rooms like this When I was working cheap It’s an old romance-the Boho dance It hasn’t gone to sleep But even on the scuffle The cleaner’s [...]

Read More

April 16, 2011

Bohemian Footnotes #2 – Bohemian Like You

You got a great car. Yeah, what’s wrong with it today? I used to have one too, Maybe I’ll come and have a look. I really love your hairdo, yeah. I’m glad you like mine too, See we’re looking pretty cool. Getcha! So what do you do? Oh yeah, I wait tables too. No I [...]

Read More

April 15, 2011

Bohemian Footnotes #1 – Bohemia After Dark

“Kenny Clarke, veteran modernist who still out-rhythms, out-solos, and out-guesses all comers in the percussion field is the pivotal point around which this album revolves . . . or, perhaps Swings, is a better word. As a great jazz musician, he is also able to recognize potential greatness in other musicians. After all, his part [...]

Read More

May 26, 2010

Words & Music – Three

“I want someone to make me music I can live in like a house.” The Cock & The Harlequin, Jean Cocteau Most musicians, I think, would prefer to have the house. Whether or not they get it depends on enough listeners paying rent in the tower of their songs or their passing a civil service [...]

Read More

April 4, 2010

Words & Music – Two

“Extraordinary how potent cheap music is.” Private Lives, Noel Coward Sometimes mangled as “Strange how potent…” or “Never underestimate the potency…”, it is the ordinariness that is the heart of the statement. When Amanda Prynne leans over that balcony with her former husband, the insistently-familiar tune from a far-off orchestra conspires to stir extraordinary memories [...]

Read More

January 18, 2010

Words & Music – One

“Writing about music is like dancing about architecture.” Orig. Unknown, Attributed to Elvis Costello, Martin Mull, Laurie Anderson, Steve Martin, Frank Zappa, Charlie Mingus… etc. It would not be so difficult to dance about architecture, although, if the building is very big, it may take some time to move all the way around it. Dancing, [...]

Read More

September 17, 2009

The Musiphilosoph, Explained.

Section The First “In that respect I was much better off than he was, for my progress was not slowed down by any Prizes, whether from Rome or any other town since I don’t carry that sort of thing on me or on my back, because I’m a type rather like Adam (the ‘Paradise’ Adam) [...]

Read More

August 28, 2009

Mr. Moondog

The Musiphilosoph, Explained; The First In A Life-Long Series. “If I kept a hotel room, then I wouldn’t have enough money to hire a copyist to copy the music or to go up to my place (near Ithaca), because to make a trip up there would cost $50, including carfare and food for a few [...]

Read More

A City’s Immersion In Morricone

“I invented the formula of ‘music composed, arranged and conducted by Ennio Morricone’.” Ennio Morricone, in interview with Adam Sweeting, 2001. Mr. McLean strode onstage first, humbled or charmed or one of the states one can’t discern from a distance. The wings of his shirt collar ruffled like those of a roused rooster, his hands [...]

Read More