The Stuffed Owl Reggie Chamberlain-King
April 5, 2011

‘Why, Coventry!’ I exclaimed. “I was born here.’

On the day that the latest Radiohead record, The King of Limbs, was released, I also had, palmed into my hand, the newest album from The Vichy Government. This was in a London side-street, just off the Coliseum, during one of Parsifal’s many intervals. It was the singer himself, Mr. Jamie Manners, who made the [...]

Read More

August 5, 2010

Salaud Days – Gainsbourg

The natural conclusion of pop music was the reality singing contest, as the singing show manages to hold at once two opposing ideas about pop music that help pop music sell: it is something we can all aspire to do, yet it is only truly done by persons with a certain something that we lack. [...]

Read More

July 28, 2010

For or Against the Grain, Or: Huysmans’ Check-List

A guest-post made at the New Escapologist blog, with an illustration by Ms. Samara Liebner. The title of J-K. Huysmans’ most famous novel, À rebours, can be translated as Against Nature or Against the Grain. But, for me, it is the second possibility that is the more appealing. In the novel, the high-dandiacal protagonist, Des [...]

Read More

March 3, 2010

The Chatter of Pop

An Essay sprung from Visions of Joanna Newsom, edited by Brad Buchanan (Roan Press) “The disputants, I ween, Rail on in utter ignorance Of what each other mean.” Pop music is kept buoyant by hot air. It is the heat of hyperventilating fandom, the prefab puffery of the press release, or the hyperbole of the [...]

Read More

October 23, 2009

A Review From The Belfast Festival Opening Concert

The Mariinsky Orchestra, conducted by Valery Gergiev Waterfront Hall, Belfast October 16th 2009 Dutilleux – Correspondences Shostakovich – Symphony No.7 in C major, Op.60 (Leningrad) Mr. Gergiev was described as “the world’s most charismatic conductor” by the Financial Times and, as he conducts, one can see the rapt attention on the faces his players, following [...]

Read More

August 26, 2009

Hello Young Lovers by Sparks

In 1974, ‘This Town Ain’t Big Enough For The Both Of Us,’ sounded like a glam rock single skewed through the sensibilities of art-school drop-outs who write fan-mail to movie-star dogs and M. Jacques Tati. In 1979, ‘The No. 1 Song In Heaven’ sounded like a disco 12″ skewed through the sensibilities of the sorts [...]

Read More